About
Will Someone Stop
You…? is a project by artists Emma Rushton and Derek Tyman, who have been working
collaboratively since 1997.
They are based in Manchester, England.
Rushton and Tyman first became interested in the Mathias Rust episode in
November 2001, when they came across mention of his Moscow landing in Susan
Buck-Morss’ book Dreamworld and Catastrophe: The Passing of Mass
Utopia in East and West (1) However, like most people they spoke to about the landing
and who had seen images of Rust in the media at the time, they could clearly
recall the images of his appearance in Red Square, but they knew nothing
more about what had happened to Rust. In trying to uncover what had become
of Rust and to understand the impact of the event - its ramifications and
wider resonance - Rushton and Tyman found that clarifying the facts was often
difficult. In fact, the facts were confused and had, perhaps invariably,
merged with rumour and speculation. However, what is clear is that for many
different reasons, there remains a great deal of interest in the Rust episode.
This is evident in the amount of material relating to the events of 28th
May 1987, found in a wide variety of sources, from academic and military
texts, to references on the internet and even within the realm of contemporary
popular music.
Launched with a commemorative card and e-flyer and distributed to mark the 20th anniversary of Rust’s landing, Will Someone Stop You…? is a multi-part project combining flyer, website, exhibition, publication and a talk/event. The intention of which is to establish a discursive space to try and uncover what really happened when Rust landed in Red Square, and to explore through artworks how the event continues to reverberate. For some, Rust’s flight was the act of a ‘naive idealist’ or ‘hooligan’ (2) for others his ‘peaceful gesture’ (3) has provided a symbol of the effectiveness of individual and collective activism and resistance. (4)
The British physician
Dr. Robin Stott took the filmed images of Rust in Red Square which were
circulated
in the world’s media a
few days after the landing. (5) Stott was in Moscow
to attend a conference of international physicians campaigning for a nuclear
freeze, although when
the story first appeared in the printed press he was referred to simply as
a ‘tourist’, as the press were not sure who exactly had taken
the film. In developing Will Someone Stop You…? Rushton and Tyman located
both Robin Stott and Mathias Rust and will bring them together as part of
their project.
In a short feature, produced by the artists and with the cooperation of both
men, Rust and Stott will discuss the days prior to and leading up to Rust’s
landing, it’s ramifications and their subsequent activities. Robin
Stott has given the artists access to all the video footage he took on the
day of the landing. A newly edited and subtitled version will be shown as
part of the exhibition Will Someone Stop You…? at Artis, The Netherlands
in October 2007. The exhibition will also include a full-scale fabric copy
of a four-seater Sky Hawk Cessna 172. The shell of the aircraft has literally
been traced by the artists, panel-by-panel, rivet-by-rivet and is to be reassembled
in the gallery.
In October both Robin Stott and Mathias Rust will contribute to SAY
IT AS IT IS (Part II), the second of an ongoing series of talks exploring the relationship
between art and politics, hosted by Unit 2 Gallery, London and timed to coincide
with Will Someone Stop You…?
Rushton and Tyman have a history of producing free, or modestly priced publications
and printed matter to accompany their projects and exhibitions. A publication
collecting together information and images about the Rust episode including
artworks, song lyrics and commemorative actions will be produced in September
2007.
(1) Published by MIT Press 2000, p214.
(2) The judge at the Soviet Supreme Court in Moscow who sentenced Rust described
him as…” an adventurer, guilty of hooliganism.”
(3) An article entitled “Rusts Peaceful Gesture” appears in the Manchester
Evening News, Friday February 14, 2003, p24.
(4) For instance Padraic Kenney writes… “Another type of happening
simply attacked the passivity of the crowd. In Poznan on International Women’s
Day, March 8, the Mathias Rust Komando dressed as women (most were men) and marched
on the Rynek. They carried banners reading, “Polish women support the government
policies”, “I’ll take any work,” “Down with sex
segregation” and “[We demand] power and cotton [i.e. sanitary pads].”” A
Carnival of Revolution: Central Europe 1989, published by Princeton University
2002, p177.
(5) Since the 1960’s Robin Stott has been and continues to be an active
peace and environmental campaigner. He has been outspoken in his opposition to
nuclear weapons for many years and has acted as both Chair and Vice Chair of
Medcat, an organisation of health professionals that exists to highlight and
take action on the health consequences of war, poverty and environmental degradation.